I PAINT SACRED LIGHT IN THE ORDINARY WORLD
Original oil paintings on museum-grade linen,
made slowly in the Cotswolds as future heirlooms
for collectors who stop and look.
“I have spent my life stopping for the moment a petal glows from within, or old stone turns to gold as an English afternoon draws to a close.
This is where the sacred lives, and I paint it on linen so that it endures.
Once you slow down long enough to see it, you begin to find it everywhere, and the painting on your wall becomes your daily reminder of HOW to look.”
‘emergence’ (sakura II)
a glimpse inside the studio
THE ATELIER COLLECTION
Large-scale, slowly made oil paintings exploring light, stillness and the quiet mystery that can reveal itself through familiar forms.
These are the principal exhibition works of the studio: paintings created with patience, restraint and an enduring attention to the quiet presence of natural form.
OPEN STUDIO SERIES
Intimate original paintings born from quiet encounters with flowers, weathered surfaces and the beauty deepened by time.
Created alongside the larger exhibition works, each painting begins with something that asks me to pause: a flower emerging from old plaster, light resting upon worn stone, or a fragment of the ordinary world that suddenly feels full of wonder.
New paintings are offered first to subscribers of Letters from the Studio.
Featured original Works
‘ethereal grace’ (orchid i)
Dimensions
63 × 80 × 3.5 cm (unframed)
Approx. 24.8” × 31.5” × 1.4”
70 × 87 × 5.5 cm (framed)
Approx. 27.5” × 34” × 2”
Medium
Original oil on museum-grade, extra-fine linen, traditionally oil-primed and mounted on archival aluminium museum stretchers.
Offered framed or unframed.
THE ARTIST’S NOTE
Ethereal Grace explores stillness and contained luminosity.
Two white orchid blooms emerge against a dark ground, their forms resolved with measured clarity. The petals carry a quiet internal light — composed, self-contained, exact.
The composition balances fragility with structure. Layered glazes and restrained tonal shifts create a controlled radiance, allowing the blooms to hold space without excess.
The orchid is presented not as ornament, but as presence.
A suspended breath.
A held poise.
‘EMERGENCE’ (Sakura II)
Dimensions
140 × 95 × 3 cm
Approx. 55” × 37.4” × 1.4”
Medium
Original oil on museum-grade, extra-fine linen, traditionally oil-primed and mounted on archival wooden museum stretchers.
Exhibited at the Royal Institute of Oil Painters Annual Exhibition, Mall Galleries, London (2024).
Offered unframed.
THE ARTIST’S NOTE
Emergence explores scale, silence, and restrained illumination.
A branch of sakura enters from shadow, its blossoms resolved with deliberate clarity against a dark ground. The composition holds tension between fragility and force — the weight of the branch countered by the lightness of bloom.
At this scale, the gesture becomes architectural. Each petal is rendered with controlled precision, allowing luminosity to unfold gradually across the surface. The darkness does not recede; it anchors.
The work considers the threshold between concealment and revelation — not as metaphor, but as structure.
A branch advancing from shadow.
A form held in becoming.